The "Angel" series breaks the shackles of religion and gender. The angels in Lucie's paintings have no wings or crowns, and are only outlined with soft contours and flowing halos. Male and female angels stand side by side or sit alone in contemplation, symbolizing the essence of love that transcends identity and discipline. The painter explores the "purity of love" here: angels are not divine beings that are high above, but projections of goodness and beauty in the hearts of every ordinary individual. The use of a large amount of blank space and gradient tones in the picture is a metaphor for the infinite extension of love in free space.

“天使”系列打破宗教与性别的桎梏，Lucie笔下的天使无翼无冠，仅以柔和的轮廓与流动的光晕勾勒。男性与女性天使或并肩而立，或独坐沉思，象征爱超越身份与规训的本质。画家在此探讨了“爱的纯粹性”：天使并非高高在上的神性存在，而是每个平凡个体内心对善与美的投射。画面中大量留白与渐变色调的运用，隐喻爱在自由空间中的无限延展。