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DYGL + ミツメ& #40;mitsume& #41; 2017夏日联合巡演北京站
2017年8月12日 星期六 20:30 至 23:00
愚公移山 YUGONG YISHAN
主办方: 愚公移山 更多活动

价格: ¥200

DYGL + ミツメ& #40;mitsume& #41; 2017夏日联合巡演北京站

价格: ¥200

DYGL + ミツメ& #40;mitsume& #41; 2017夏日联合巡演北京站
2017年8月12日 星期六 20:30 至 23:00
愚公移山 YUGONG YISHAN
主办方: 愚公移山 更多活动

价格: ¥200

DYGL + ミツメ& #40;mitsume& #41; 2017夏日联合巡演北京站

2017年8月12日 星期六 20:30 至 23:00 愚公移山 YUGONG YISHAN

价格: ¥200

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2017年8月12日 星期六 20:30 至 23:00

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8月12日 Saturday 星期六


DYGL + ミツメ(mitsume) 

2017夏日联合巡演北京站 Summer Tour - Beijing



ミツメ(mitsume)


“硬软结合,刚柔并济”

——专属中国粉丝的搭配


ミツメ(mitsume)是一支真正的“独立”乐团,不管是写音乐,还是出碟,他们一贯作风,就是保持着“独立”身份。自己能办到的事,尽量不麻烦别人,主唱川辺素接受采访时候,说过类似“我不希望受到任何东西束缚”这样的话,看得出身为日本indie三铳士之一的主唱老司机,他依然有着少年般面孔及心志!


四位毕业于庆应大学的高材生,在各自为生活奔波忙绿的工作之余,始终保留着腼腆青涩,不谙世事的少年气。在他们严肃与不正经,紧张感与松弛感交叉呈现的音乐里,我们似乎能感受到一种与其外表相近的气质——干净、随性,漫不经心,却令人不知不觉陷入迷恋。像夏天闷热的空气里喝下一口冰可乐又重新获得的力气,像记忆的列车驶过一片黏糊糊的湿地而窗帘被风扬起,像踩着拖鞋走在熟悉的街头不觉蝉声阵阵的夜幕已然降临…总之感觉软软的,摸起来,手感不错。


DYGL


与ミツメ(mitsume)软甜相对应的则是硬气派DYGL。DYGL是英文腔风潮下,为数不多的真正把英文歌词唱出欧美味道乐团。今年4月19号,他们发行了第一张正式专辑《Say Goodbye to Memory Den》,并由The Strokes吉他手Albert Hammond Jr.担当制作,满满14首爽快曲目,在这摇滚乐似乎要被抛下的年代树立了新的可能。


DYGL是由四个二十多岁的大男生组成,他们最为人所知的是以YKIKI BEAT名义所发表的第一张作品,成功制造百万MV点阅率,第一次听到是在日本新宿的一家Live house,若不是亲自看过他们本人,你会以为他们是某个从纽约Brooklyn来的乐团,音乐传入耳里,就象是从Brookyn某车库里传出的青春嗓音。


混然天成的和谐与成熟的编曲,虽没有特别厉害的技巧,但是现场张力十足,当吉他声响一下去鸡皮疙瘩立马跑出来!深受The Strokes、The Libertines、The Cribs 影响的他们,主唱有著类似King Krule嗓音,搭配节奏感十足的bass-line与吉他,这个超有潜力日本乐团一定会让你吓一大跳,听完立马打包回家。


这样的夏日系搭配巡演,也许可能是他们还没有大红特红前的唯一一次,所以大家抓紧机会吧!演出现场会有诸多乐队专辑及其他周边售卖,也请准备好荷包趁机靠近:)我们现场见。


ミツメ(mitsume)


Mitsume subscribes to an easy-to-get-behind ethos regularly found in indie-rock communities: “Since our first album, we’ve been under nobody’s control but our own,” says lead vocalist Moto Kawabe. “We prefer to do whatever we can ourselves.”


Accordingly, the Tokyo-based quartet has released all its singles, EPs and albums through its own self-titled label, including third full-length “Sasayaki”.


Refusing to compromise artistic control is noble, but risky if you never go anywhere. Since Mitsume formed in 2009, though, it has garnered more attention with each new release. The band has made it into popular music magazines such as Rockin’on and Indies Issue.


Kawabe, guitarist Mao Otake, drummer Yojiro Suda and bassist Nakayaan (who goes by one name) all attended Keio University and were in the same music circle.


The four shared a similar taste in U.S. indie rock and eventually started writing their own material.


“We didn’t know what Tokyo’s indie-rock scene was like, we were mostly just listening to music online at home,” Suda says. “We weren’t focused on playing live, just on recording music first and sharing it through sites like MySpace and SoundCloud.”


Mitsume’s eponymous debut was released in 2011. It is, especially compared to subsequent releases, a pleasant, albeit unremarkable collection of indie-pop-by-numbers highlighted by the occasional Built-To-Spill-esque guitar jam. It’s the sort of sound a band could coast on — and many do — but Mitsume was restless.


“We always want to do something new when we start recording,” Otake says, and this approach helped shape 2012’s “Eye” into a musical leap forward. Mitsume intentionally stepped away from the traditional rock mold to introduce squiggly synths and drum-machine beats into its music. Whereas guitar solos lingered on “Mitsume,” the four-piece tightened up to the point where cuts such as “Cider Cider” and “Towers” sound dancefloor-ready.


When “Eye” popped up in stores, Mitsume had become a regular in the Tokyo indie-rock live scene. Suda says they became close with Tokyo-via-Kobe outfit Teen Runnings after releasing “Mitsume,” and were soon sharing bills with acts such as Nag Ar Juna, Super VHS and Canopies And Drapes.


“We do all of the promotion for the albums, especially online promotion,” Suda says. “Otake has a programming background, so he designed our website himself.”


The band also handles the pressing of all the CDs with its own money. “We submit an order to a pressing company, and it gets expensive, but we’ve been able to recoup the investment money,” Nakayaan says.


For all these hallmarks of the indie lifestyle, Mitsume have attracted more mainstream media attention, album sales and higher-profile gigs than many of their contemporaries in the city. Mitsume’s music is good, but so are plenty of other groups scattered about Tokyo. Suda says the reason they’ve done well is simple.


The band continues their active appearance in Japan music scene in 2015 with the release of their second single “memai” (“めまい”) in May and a release tour. The band performed their first ever hall-live in Aoyam Spiral Hall (Tokyo) in July and the show was very well-received.


Now, mitsume is ready to bring their music to more places outside Japan.


DYGL


DYGL is an indie rock band founded in 2012 when the members were in college in Tokyo. They hold lives mainly in Tokyo and will release their first physical work, the cassette EP"EP#1" in June, 2016. In the summer of 2015, they performed lives in LA and Philadelphia.


DYGL finally made their album debut with Say Goodbye to Memory Den, the band’s first LP since forming in 2012.


Mostly comprised of members from the indie pop outfit Ykiki Beat, DYGL (pronounced Day Glo) are shaping up to be Japan’s next top indie rock export.


Produced by The Strokes guitarist Albert Hammond Jr. and recorded in NYC, Say Goodbye to Memory Den sports 14-tracks of top rate indie tunes catered towards the international music market. Upon release the album debuted at #26 on the Oricon daily album chart.


Performing at this year’s SXSW in Austin, Texas, DYGL are now preparing to kick off their first nationwide/Asia tour. As well as shows up and down Japan, the tour will take them to Taiwan, Hong Kong, Thailand, Malaysia, Indonesia, Korea, and China. The tour also includes a set at this year’s FUJI ROCK FESTIVAL, one of Japan’s biggest music festivals.


晚8:30 // 280元(现场)/ 200元(预售 | 数量有限,售完即止)

Pm 8:30 // Rmb 280 (door) / 200 (presale | on a first-come-first-serve-basis)

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