机会主义美术馆：不为人所熟知的艺术委托与档案记录

• 

  Alexie Glass-Kantor

  格拉斯-坎托尔，悉尼Artspace亚历克西，格拉斯-坎托尔，悉尼Artspace, 执行董事兼香港巴塞尔艺术博览会艺聚空间策展人

  机会主义美术馆：不为人所熟知的艺术委托与档案记录

  Alexie Glass-Kantor is Executive Director, Artspace, Sydney, supporting curatorial practice, exhibition making, publishing and residencies. She is Curator for the Encounters sector at Art Basel | Hong Kong (2015 to 2020), which premieres large-scale installations. As curator of over one hundred exhibitions, Glass-Kantor has worked with international artists across generations to develop collaborative projects in independent spaces, collecting institutions, biennials and festivals. She is Chair, Contemporary Art Organisations Australia (CAOA) and on the academic boards of the National Art School (Sydney) and Museum of Contemporary Art & Design (Philippines).

历史收藏中的当代艺术

• 

  乐大豆

  Arthub 创始人及总监

  历史收藏中的当代艺术

  DAVIDE QUADRIO is a China based producer and curator. He founded and directed for a decade the first not-for-profit independent creative lab in Shanghai, Bizart Art Center, as a platform to foster the local contemporary art scene. In 2007 Quadrio created Arthub Asia, a production and curatorial proxy active in Asia and worldwide. He is currently hosted by Shanghai Visual Art Institute, and he is part of the Curatorial Board of PAC, Pavilion of Contemporary Art of Milan as well as Director of International Development of Scene 44 in Marseille. In 2015 he founded Kaleidoscope Asia a sibling publication of Kaleidoscope Magazine, with the intention of developed it as an international platform presenting Asia at its best. With BizArt and its team, and now with Arthub Asia, Quadrio has organized hundreds of exhibitions, educational activities and exchanges in China and abroad, developing relationships with local and foreign institutions worldwide.

当流量进入美术馆:偶像文化与粉丝经济来袭

• 

  孙杲睿

  北京中间美术馆部门助理

  当流量进入美术馆:偶像文化与粉丝经济来袭

激活数字时代的美术馆

• 

  王碧雲

  M+數碼媒體項目製作人

  激活数字时代的美术馆

  Diane is a producer on the Digital Programmes team at M+, a new museum of visual culture that is currently under construction in Hong Kong. She focuses on the museum’s open access approach, development of digital experiences and in-gallery technology projects at the museum, in preparation for the museum’s opening programme. In addition to this, she helps grow the museum’s engagement activities at the intersection of art and technology, working closely with curators to develop a digital commissions programme as well as expanding the museum’s programming to include events such as hackathons.

“机构品牌化”对于本土美术馆的借鉴意义——以纽约新美术馆为例

• 

  薛丹青

  独立策展人、作家

  “机构品牌化”对于本土美术馆的借鉴意义——以纽约新美术馆为例

  薛丹青，独立策展人、文字工作者。先后于美国德雷塞尔大学、纽约苏富比艺术学院和南京师范大学取得艺术管理硕士学位、艺术评论写作证书和新闻学士学位。作为独立策展人，她为商业画廊和非盈利机构担纲策展，展览项目包括：“乡归何处”，Serindia Gallery，美国纽约，2019；“米共金”，空间站，中国北京，2018；“迂回与距离”，在3画廊，中国北京，2018; “回忆芳庄”，E-Moderne Gallerie，美国费城，2018；“道和丸”，北京光社影像中心，中国北京，2018；“坏的又一天”，美仑美术馆，中国长沙，2017。策展项目曾获Art Agenda，Blouin Artinfo等多家国际艺术媒体的展评报道。写作见于artnet新闻、艺术新闻中文版、典藏杂志、凤凰艺术、雅昌艺术网等艺术媒体。她同时以客座主持的身份协调艺术家讲座和论坛，近期活动包括：“对话艺术家—奥尔加·格鲁吉亚”，奥地利驻华大使馆，2018；“拼贴在文化交流语境中的美术史新意”，马奈草地美术馆，2017；“有机——第一届中国-西班牙美术馆论坛”，北京大学，2016。

问答环节

• 

  Alexie Glass-Kantor

  格拉斯-坎托尔，悉尼Artspace亚历克西，格拉斯-坎托尔，悉尼Artspace, 执行董事兼香港巴塞尔艺术博览会艺聚空间策展人

  机会主义美术馆：不为人所熟知的艺术委托与档案记录

  Alexie Glass-Kantor is Executive Director, Artspace, Sydney, supporting curatorial practice, exhibition making, publishing and residencies. She is Curator for the Encounters sector at Art Basel | Hong Kong (2015 to 2020), which premieres large-scale installations. As curator of over one hundred exhibitions, Glass-Kantor has worked with international artists across generations to develop collaborative projects in independent spaces, collecting institutions, biennials and festivals. She is Chair, Contemporary Art Organisations Australia (CAOA) and on the academic boards of the National Art School (Sydney) and Museum of Contemporary Art & Design (Philippines).
• 

  乐大豆

  Arthub 创始人及总监

  历史收藏中的当代艺术

  DAVIDE QUADRIO is a China based producer and curator. He founded and directed for a decade the first not-for-profit independent creative lab in Shanghai, Bizart Art Center, as a platform to foster the local contemporary art scene. In 2007 Quadrio created Arthub Asia, a production and curatorial proxy active in Asia and worldwide. He is currently hosted by Shanghai Visual Art Institute, and he is part of the Curatorial Board of PAC, Pavilion of Contemporary Art of Milan as well as Director of International Development of Scene 44 in Marseille. In 2015 he founded Kaleidoscope Asia a sibling publication of Kaleidoscope Magazine, with the intention of developed it as an international platform presenting Asia at its best. With BizArt and its team, and now with Arthub Asia, Quadrio has organized hundreds of exhibitions, educational activities and exchanges in China and abroad, developing relationships with local and foreign institutions worldwide.
• 

  王碧雲

  M+數碼媒體項目製作人

  激活数字时代的美术馆

  Diane is a producer on the Digital Programmes team at M+, a new museum of visual culture that is currently under construction in Hong Kong. She focuses on the museum’s open access approach, development of digital experiences and in-gallery technology projects at the museum, in preparation for the museum’s opening programme. In addition to this, she helps grow the museum’s engagement activities at the intersection of art and technology, working closely with curators to develop a digital commissions programme as well as expanding the museum’s programming to include events such as hackathons.
• 

  薛丹青

  独立策展人、作家

  “机构品牌化”对于本土美术馆的借鉴意义——以纽约新美术馆为例

  薛丹青，独立策展人、文字工作者。先后于美国德雷塞尔大学、纽约苏富比艺术学院和南京师范大学取得艺术管理硕士学位、艺术评论写作证书和新闻学士学位。作为独立策展人，她为商业画廊和非盈利机构担纲策展，展览项目包括：“乡归何处”，Serindia Gallery，美国纽约，2019；“米共金”，空间站，中国北京，2018；“迂回与距离”，在3画廊，中国北京，2018; “回忆芳庄”，E-Moderne Gallerie，美国费城，2018；“道和丸”，北京光社影像中心，中国北京，2018；“坏的又一天”，美仑美术馆，中国长沙，2017。策展项目曾获Art Agenda，Blouin Artinfo等多家国际艺术媒体的展评报道。写作见于artnet新闻、艺术新闻中文版、典藏杂志、凤凰艺术、雅昌艺术网等艺术媒体。她同时以客座主持的身份协调艺术家讲座和论坛，近期活动包括：“对话艺术家—奥尔加·格鲁吉亚”，奥地利驻华大使馆，2018；“拼贴在文化交流语境中的美术史新意”，马奈草地美术馆，2017；“有机——第一届中国-西班牙美术馆论坛”，北京大学，2016。
• 

  孙杲睿

  北京中间美术馆部门助理

  当流量进入美术馆:偶像文化与粉丝经济来袭

资助中国私人美术馆：未来的可行模式

• 

  宁文

  独立策展人和研究者

  Funding Private Museums in China: Feasible Models for the Future

出版物对于美术馆的延伸作用——以中间美术馆为例

• 

  钱梦妮

  北京中间美术馆策展助理

  出版物对于美术馆的延伸作用——以中间美术馆为例

  1987年出生于安徽淮南，厦门大学嘉庚学院经济学学士、上海理工大学传播学 硕士，在上海《第一财经日报》副刊部担任文化记者六年，在2018年9月加入 北京中间美术馆。

中国的策展博弈

• 

  Hugh Davies

  策展人、学者

  中国的策展博弈

  戴修是藝術家、策展人、学者。其主要研究方向为跨媒體游戏。他的研究探索了亚太地区媒体设备及游戏文化的历史。2014年，他於蒙納殊大學取得藝術、設計及建築哲學博士學位。近年来，他的跨媒體遊戲研究获得了Tokyo Arts and Space，香港M+ 博物馆以及香港Design Trust 等机构的赞助。目前，他擔任澳大利亚皇家墨爾本理工大學的博士後研究員。

皮影人: 在民间工艺和高（级）艺术之间、艺术和科技之间以及美术馆和观众之间的交互

• 

  宋轶男

  艺术家

  皮影人: 在民间工艺和高（级）艺术之间、艺术和科技之间以及美术馆和观众之间的交互

  宋轶男，成都人，是一名艺术工作者、设计师和创意技术员。她的作品常存于设计和艺术之间，通常关注科技、政治以及他们之间的联系。她最热爱通过制作有科技支持的作品—— 例如手机app和虚拟现实装置——来表达她对科技带来的社会和政治意义的思考。她在2016年获得加密设计奖评委奖(Crypto Design Award Jury's Award)，并曾经在在美国、英国、德国、荷兰、以色列、法国、瑞士和塞浦路斯等各国参展。她本科毕业于美国耶鲁大学，主修艺术和政治学，研究生毕业于英国皇家艺术学院信息体验设计专业。她现在在伦敦和成都生活和工作。

当今时代：再思考以及再定义文物修复师的角色

• 

  郑安安

  博士研究员

  当今时代：再思考以及再定义文物修复师的角色

  Diana Tay is a doctoral researcher with the Grimwade Centre for Cultural Materials Conservation at the University of Melbourne. Her research interests include the investigation of materials and techniques of Singaporean oil paintings; the development of alternative narratives to the ecology of conservation decision-making; and building institutional processes for contemporary art acquisitions. She holds a Master of Cultural Materials Conservation (2014) specializing in paintings and contemporary art conservation of Southeast Asian artworks. With ten years of experience, Diana has worked together with international institutions such as the National Heritage Board Singapore, National Museum of Philippines, TATE Britain as well as with contemporary artists and private collectors, to conserve, preserve and better understand their collections.

问答环节

• 

  宁文

  独立策展人和研究者

  Funding Private Museums in China: Feasible Models for the Future

• 

  郑安安

  博士研究员

  当今时代：再思考以及再定义文物修复师的角色

  Diana Tay is a doctoral researcher with the Grimwade Centre for Cultural Materials Conservation at the University of Melbourne. Her research interests include the investigation of materials and techniques of Singaporean oil paintings; the development of alternative narratives to the ecology of conservation decision-making; and building institutional processes for contemporary art acquisitions. She holds a Master of Cultural Materials Conservation (2014) specializing in paintings and contemporary art conservation of Southeast Asian artworks. With ten years of experience, Diana has worked together with international institutions such as the National Heritage Board Singapore, National Museum of Philippines, TATE Britain as well as with contemporary artists and private collectors, to conserve, preserve and better understand their collections.
• 

  Hugh Davies

  策展人、学者

  中国的策展博弈

  戴修是藝術家、策展人、学者。其主要研究方向为跨媒體游戏。他的研究探索了亚太地区媒体设备及游戏文化的历史。2014年，他於蒙納殊大學取得藝術、設計及建築哲學博士學位。近年来，他的跨媒體遊戲研究获得了Tokyo Arts and Space，香港M+ 博物馆以及香港Design Trust 等机构的赞助。目前，他擔任澳大利亚皇家墨爾本理工大學的博士後研究員。
• 

  宋轶男

  艺术家

  皮影人: 在民间工艺和高（级）艺术之间、艺术和科技之间以及美术馆和观众之间的交互

  宋轶男，成都人，是一名艺术工作者、设计师和创意技术员。她的作品常存于设计和艺术之间，通常关注科技、政治以及他们之间的联系。她最热爱通过制作有科技支持的作品—— 例如手机app和虚拟现实装置——来表达她对科技带来的社会和政治意义的思考。她在2016年获得加密设计奖评委奖(Crypto Design Award Jury's Award)，并曾经在在美国、英国、德国、荷兰、以色列、法国、瑞士和塞浦路斯等各国参展。她本科毕业于美国耶鲁大学，主修艺术和政治学，研究生毕业于英国皇家艺术学院信息体验设计专业。她现在在伦敦和成都生活和工作。
• 

  钱梦妮

  北京中间美术馆策展助理

  出版物对于美术馆的延伸作用——以中间美术馆为例

  1987年出生于安徽淮南，厦门大学嘉庚学院经济学学士、上海理工大学传播学 硕士，在上海《第一财经日报》副刊部担任文化记者六年，在2018年9月加入 北京中间美术馆。