11月28日 Friday 星期五

第二届东动音乐节

COLT SILVERS [法国] / AV大久保 / IDIOTAPE [韩国]

COLT SILVERS

法国乐队Colt Silvers是一群永远不修边幅的大男孩们，他们有机与合成声音的边界嬉戏。他们制造了属于自己的声音，明亮的流行乐元素与层层叠叠的丝滑的电子音效结合，并辅以美妙的人声。
在首张专辑获得巨大成功后，他们进行了在法国，德国和美国巡演。他们重新为电影《银翼杀手》配乐，并且创作了新的EP概念单曲。
带着大胆的探索，他们在2013年春天推出了专辑《Red Panda》，这是一张全新的，有分量的专辑，混合了多种不同的合作计划和令人耳目一新的80年代元素。今年，他们卷土重来，推出一张全新的EP，同时计划在明年发布新专辑。

AV大久保

AV大久保乐队2006年组于武汉， 2008年10月，乐队签约独立厂牌兵马司唱片，并与英国后朋传奇乐队PiL前鼓手、金牌制作人Martin Atkins在亚洲最大的录音棚A-String录制了他们的首张专辑。2010年，AV大久保首张专辑《大时代》在兵马司唱片发行，新专一发出即是一个深水炸弹，激起一片好评，随后他们与P.K.14、Carsick Cars乐队在兵马司唱片的策划下，远赴美国巡演并参加了全美最富盛名的SXSW音乐节。2013年，乐队在兵马司唱片的帮助下终于邀请到他们倾慕已久的英国后朋传奇乐队Gang Of Four的领军人物Andy Gill操刀制作第二张专辑《一品国际》并于2014年4月由兵马司唱片发行。
AV大久保在全民娱乐时代横贯出世。它既不同于一针见血的朋克批判，也不等于对时事世事的全盘否定——它会质疑和锐化其中的漏洞，然后用实力说话，以求改变它。音乐风格多样化，独立创新，各种色彩糅杂在一起：新浪潮、实验噪音、朋克舞曲……任何看过他们演出的人都不能给出准确的风格定义；每一次演出，每一首歌，每次的亮相，乐队都是给人耳目一新的感觉，不拘泥于形式却又形式感十足，复杂编曲，简单直白的歌词，以及实验性的突破。AV大久保乐队的武汉B级摇滚让我们体验到更多的是幼年时弥散在周围却或许并不明白的娱乐气氛。这种娱乐不像当年迪斯科舞厅和小剧场里的单纯聒噪，它被时代所连带出客观的视角和嘲弄的口吻。

IDIOTAPE

获奖无数的韩国电子3人组Idiotape 2008年成立于首尔，最初由知名DJ、制作人，乐手 Dguru ，合成器高手Zeze外加一名吉他手组成。但随着吉他手的离去，鼓手DR在2010年的加入完美的填补了空缺并使乐队的音乐得到的结构上的进化。出道不久，他们那深受60、70年代老韩国摇滚的影响的音乐，爆炸性的合成器节奏与电子素材，还有充满能量的现场就使他们迅速坐上了韩国电子音乐的头把交椅。
2010年，乐队发行了EP《0850》，崭露头角，同年发行的专辑《11111101》在国内外都大受好评，并获得了韩国音乐大奖的最佳电子舞曲专辑奖项。之后他们以headliner的身份登上了诸多韩国与北美大音乐节的舞台，巡演无数。今年，他们将推出一张全新专辑，让我们拭目以待。

晚8点 // 180元（现场）/ 130元（预售 | 数量有限，售完即止）

DONGDONG MUSIC FESTIVAL VOL. 2

COLT SILVERS [France] / AV OKUBO / IDIOTAPE [Korea]

COLT SILVERS

Eternal unshaven kidults playing hide and seek at the frontier between the organic and the synthesis, the three boys in COLT SILVERS create their own intense sound, made of bright pop intervals and silky electronic layers, spangled here and there with angelic voices.
After an incandescent debut album that led them to tour in France, Germany and USA, they developed their cinematographic side trough a reinterpretation of the Blade Runner soundtrack and an acoustic concept-EP.
With a wealth of such explorations they release in spring 2013 Red Panda, a new, dense and wooded album, carried by various collaborations and a most refreshing eighties temperament. A new EP came last June and the next album will be released next year...

http://www.coltsilvers.com/

AV OKUBO

Formed in 2006 in the dirty industrial megalopolis of Wuhan, AV Okubo has captured the eyes and ears of China as the members express through music their reactions to the conflicts of a changing society. In late 2008 the band set up in A-String, Asia’s largest studio, to record their debut album with acclaimed producer Martin Atkins. The album, ‘The Greed of Man’ dropped in April 2010. Their 2nd album produced by Andy Grill from Gang of Four was released in 2014.
Through their music, the band expresses their half-remembered memories of growing up in the social construction project that is China, the places they’ve been to, the people they’ve met and things they’ve experienced along the way. Drawing influences from new wave, experimental noise, and disco punk, their sound ultimately smashes together everything they have encountered and sets it all to a massive beat. AV Okubo has grown up in the entertainment era. Neither punky criticism nor a complete overthrow of modern culture, they slide obliquely through a loophole and force on us their version of change.

http://maybemars.org/index.php/artists/av-okubo/?lang=en

IDIOTAPE

Award-winning South Korean electronic trio Idiotape formed in 2008 in Seoul. Producer and synthesizer player Dguru, who is also a highly-respected DJ in Korea, and synthesizer player Zeze teamed up with a guitarist. But when said guitarist opted to leave, drummer DR was brought on board in early 2010. Influenced by Korean classic rock from the 1960s and 1970s, Idiotape’s dynamic, synth-driven rhythms and electrifying performances quickly helped them climb the ranks in Seoul’s electronic and indie music scenes.
In July 2010, Idiotape issued their debut 0805 EP, followed up by their first full-length album, 11111101. the year after. The album garnered praise from critics at home and abroad and won “Best Dance & Electronic Album” at the 2012 Korean Music Awards. With the stunning popularity of their live performance in headlining several festivals in Korea and North America, the capitalization of electronic Seoul heads was effective indeed. The group plans to issue new music in the coming months. Like their past acclaimed output, expect Idiotape’s next album to be brimming with more of their fantastic, infectious EDM.

http://idiotape.com/

Pm 8 // Rmb 180 (door) / 130 (presale | on a first-come-first-serve-basis)